****

Michael Pearce’s latest film, "Echo Valley," aims to deliver a gripping thriller, but it mostly lingers in an emotional middle ground. The movie's plot involves a criminal cover-up followed by the obligatory unraveling of the secret, which leads to even more complications. Despite its potential, the film allocates its screen time in ways that don’t effectively mislead the audience or delve deeply into the characters’ relationships. This results in a film that fails to generate a substantial build-up of tension.

Throughout its runtime, "Echo Valley" occasionally manages to grasp the audience's attention. However, after a somewhat predictable twist near the end of the second act, the movie’s final stretch hinges on an implausible and poorly thought-out plan. The characters’ irrational decisions, crucial to the plot, lack the necessary setup, making their actions appear arbitrary and unconvincing.

The film’s saving grace lies in its strong performances, particularly from Julianne Moore and Sydney Sweeney. Moore brings depth to her character Kate, imbuing her with a profound sense of grief and a conflicted sense of duty towards her daughter Claire. This emotional performance, underscored by well-placed voicemail messages, makes Kate’s struggles feel authentic. Sweeney also shines as Claire, fully embodying her character’s volatility and the erratic behavior associated with addiction.

From a technical perspective, "Echo Valley" has its moments. Cinematographer Benjamin Kračun employs a variety of techniques, including high-angle shots, slow-motion, and conventional Steadicam work. These visual elements occasionally elevate the scenes, making them more engaging. However, the lack of a cohesive aesthetic results in a disjointed viewing experience, ultimately undermining the film’s impact.

Despite the commendable efforts by the cast and crew, "Echo Valley" falls short of standing out in the thriller genre. Its few bright spots are overshadowed by a lack of originality and coherence, leaving the audience with an unremarkable viewing experience.