In a statement released on Saturday, the Vatican voiced its disappointment and disapproval over a scene from the opening ceremony of the Paris Olympics, which featured a portrayal reminiscent of Leonardo da Vinci's "The Last Supper" and included drag queens.

The Holy See described itself as "saddened by certain scenes at the opening ceremony" and expressed solidarity with those who found the depiction offensive. The Vatican emphasized that an event of such global importance, where shared values are celebrated, should not include inappropriate references to religion.

The contentious scene, which took place on July 26, drew criticism from detractors who viewed it as a mockery of Christianity. In the segment, renowned LGBTQ+ icon DJ and producer Barbara Butch donned a silver headdress resembling a halo while being joined by drag artists and dancers.

France's Catholic bishops were among those who condemned the depiction, claiming it belittled the significance of Christianity. However, Thomas Jolly, the artistic director of the opening ceremony, insisted that the scene aimed to celebrate diversity and pay tribute to feasting and French gastronomy, denying any direct inspiration from "The Last Supper."

Following the backlash, Paris Olympics organizers issued an apology to anyone who was offended by the tableau. However, some eyebrows were raised as the Vatican's response came a week after the event, and after numerous Catholic leaders worldwide had already expressed their outrage over the scene. As of now, the Vatican spokesperson has not provided an explanation for the delay in the response.

As controversy continues to swirl around the opening ceremony, discussions concerning the appropriate portrayal of religious themes in public events are likely to persist. The incident has sparked a broader debate on the balance between artistic expression, inclusivity, and respecting religious beliefs.

It remains to be seen whether the Vatican's statement will influence any changes in future Olympic ceremonies or prompt further dialogue regarding the depiction of religious symbols and themes in such international events.