In a press conference held on Saturday, Thomas Jolly, the artistic director of the Paris Olympics opening ceremony, addressed the criticism and backlash faced by the show. Jolly firmly defended his intention, stating that it was not meant to be subversive, mock traditional values, or provoke shock.

Jolly, along with his team of collaborators, unleashed a breathtaking spectacle that captured the essence of French spirit through a series of 12 tableaux. The show aimed to showcase a juxtaposition of tradition and modernity while embracing diversity and inclusion.

However, despite the grandeur of the ceremony, it drew mixed reactions from viewers. Some accused it of indulging in "wokeism" and openly mocking Christianity. Critics highlighted the excessive usage of French cultural and historical references, which they felt were misplaced and veered away from the essence of the Olympics.

Nevertheless, Jolly remained steadfast in his defense, emphasizing that the intention was to celebrate the rich tapestry of French culture and heritage. The artistic director expressed his belief that the show successfully encapsulated the spirit of inclusivity and showcased the nation's values to the world.

The Paris Olympics opening ceremony presented a visual extravaganza, with dazzling performances and stunning visuals that left the audience in awe. It showcased the diverse facets of French culture, from iconic landmarks to contemporary artistic expressions, all in an effort to celebrate the nation's history and its place in the modern world.

As controversies continue to swirl around the ceremony, it remains to be seen how the broader narrative of the Paris Olympics will unfold. With just a few years left until the eagerly anticipated event in 2024, organizers and stakeholders will strive to strike a balance between honoring tradition and embracing progress while ensuring a memorable and unifying experience for athletes and spectators alike.