In a world that fetishizes the human body while grappling with issues of identity, the film "Ponyboi" demands attention with its thrilling crime storyline intertwined with themes of self-discovery and unexpected love. Directed by Esteban Arango and brought to life by actor and screenwriter River Gallo, the film explores the life of Ponyboi, an intersex individual, in an unapologetic and undefinable manner.

The story revolves around Ponyboi, played by Gallo, who works as a clerk and a drug-pushing sex worker at Fluff n' Stuff, a laundromat in New Jersey. Grounded on Gallo's own intersex identity, the character navigates the challenges of being expelled from home at a young age while yearning for tenderness in a world that objectifies his body.

Dylan O'Brien, known for his role in "Teen Wolf," delivers a captivating performance as Vinny, a sleazy pimp, drug dealer, and wannabe rapper who runs the criminal operation. Vinny manipulates and betrays his pregnant girlfriend Angel (Victoria Pedretti), who also happens to be Ponyboi's best friend. O'Brien's portrayal brings depth to the character, showcasing his ability to transform and potentially shift the audience's perception of him as an actor.

The story takes an unforeseen turn when Bruce (Murray Bartlett), a gentle cowboy, enters Ponyboi's life. Bruce's presence ignites a fiery attraction between the two, portrayed through a mesmerizing moment where they share a duet of Bruce Springsteen's "I'm on Fire." However, their connection is abruptly interrupted by a crack-related tragedy, forcing Ponyboi to flee before being caught by Vinny. The ensuing events involve violent encounters with a local mob family, adding further intrigue to the narrative.

Cinematographer Ed Wu's skillful use of lighting and camera work enhances the film's visual appeal, contributing to the distinct ambiance of each scene. The contrast between Ponyboi's troubled reality and the moments shared with Bruce is particularly notable. Flashbacks, depicted as fragmented memories, delve into Ponyboi's past and his complex relationship with his now-ill father, who affectionately nicknamed him Ponyboi.

As Ponyboi prepares to leave town, they must procure hormone injections, an essential part of their identity as an intersex individual. This aspect of the story serves as a unique representation of the protagonist's journey, seamlessly blending with the tension and urgency typically associated with a character fleeing from danger.

While "Ponyboi" follows some expected beats in terms of its criminal elements, Arango expertly interprets Gallo's script, presenting a poignant portrait of an underrepresented gender identity, all while maintaining a darkly comedic tone and visually distinct style.

In a vulnerable conversation with Bruce at an old-school diner, Ponyboi reflects on their upbringing, remarking, "I was born a little different." As the child of Salvadoran immigrants, Ponyboi has constantly grappled with their identity, feeling a constant need to live up to societal expectations. As they embark on a journey away from Jersey, Ponyboi now has the opportunity to define themselves on their own terms, a sentiment echoed by Charlie, played by Indya Moore, in a scene-stealing supporting role.

Amidst a few formulaic stumbles in the screenplay, it is Gallo's fierce and captivating performance that serves as the anchor to the film, effectively conveying Ponyboi's range of emotions and the inherent fabulousness that comes with embracing one's true self. Gallo's personal connection to the story resonates throughout the movie, as they bring a fearless and empowering narrative to life that has been eagerly awaited.

"Ponyboi" is a thought-provoking and boundary-pushing film that challenges conventional storytelling, placing intersex identity at the forefront while exploring themes of love, self-acceptance, and the pursuit of one's own truth. It serves as a significant step forward in promoting representation and inclusivity within the film industry.